A few weeks ago, I was contacted by a local newspaper looking to do an article on me and my art. The writer left me a message on my phone and also sent me an email. I was typing up my email to respond to her (thinking out my answers so I wouldn’t have to worry about how many times I said “ummm” and “you know”). My plan was to call her back and use my draft email as notes (doesn’t everyone do that?). But before I could finish, she calls me again. And wants to come by my studio NOW. If you like my facebook art page, you might have seen a post saying I was rearranging my studio just the night before. Do you know how organized artists typically are? Can you imagine what my studio looked like the day the reporter wanted to come over? Most of my art was still hanging at the Roasted Coffee Depot
Some of you are aware that I have a full time job that is NOT related to my art. AT. ALL. So in February, I decided to take a week off and not go anywhere or do anything but work on my art and art related marketing. This was a big step for me, because while I’ve been involved in the art community for a few years now and see myself as an artist, I see myself as a part-time artist who can’t spend a lot of time doing art things. I have excuses galore! My productivity isn’t anywhere near what it would be as a full time artist, but I think I did pretty well on my week “off”.___I started off by going to several galleries in Chapel Hill, Carrboro, and Pittsboro with my sister (check out her blog here). We visited Fearrington Village and took pictures of the Belted Galloways (rare breed of Scottish beef cows), Of course
This is the WIP for the Elk. In order to depict the massive rack, I wanted to do this on the largest surface I had in the studio. So, I used my only 18″ x 24″ pastelbord (gray). If I had something larger, I would have used it. I’ve found I like to work large when working on animals…maybe it’s because I prefer to stand when using charcoal and pastel, maybe it’s because the nature of the subject warrants to me really get in the fur without getting bogged down with the detail. On the other hand, the colored pencils are the opposite. I prefer to sit down, work smaller (for now), and concentrate on the details. So let’s get back to the elk…I’ve added captions to each step. I guess I didn’t take a picture of the drawing, but my favorite step is below…right after I’ve drawn in the subject, and I pick up the first and second color.