Boxed In

Of course, it’s called “Boxed In” because it’s a box turtle, right? There’s actually a pretty cool story behind it.

“Boxed In” | 6″ x 18″ | Colored Pencil and Neocolor II on pastelbord

Close-up of "Boxed In"

Close-up of “Boxed In”

We have this black tube attached to our gutter drain to direct water flow away from our house. It’s VERY long – like maybe 50 feet. One day as Mike and I were doing yard work, we heard a scratching sound that sounded like something was in the drain. When we (Ok, Mike) pulled off the black thingy to see what it was, (I was cringing because I imagine something would jump out at us), we saw a turtle. Stuck. For who knows how long?!?!?!

The turtle made a long journey from the tube opening and I guess got stuck as the tube joined the gutter drain. Just like my grandmother did when she ran to get her camera before rescuing my brother who fell into the toilet, I grabbed my camera and took some closeups before we freed him (or her…I think it was a her after reading up on them).

Image

Poor turtle…

Image

Finally free to roam the overgrown lawn. (Don’t worry – we are careful when cutting the grass…I mean weeds).


Upcoming Art Show

I’m participating in an art show at the Chapel Hill Art Gallery, benefiting the Triangle Wildlife Rehabilitation Clinic.

I'm participating in an art show at the Chapel Hill Art Gallery, benefiting the Triangle Wildlife Rehabilitation Clinic


Upcoming Events

WHAT WAS I THINKING????

It’s been a busy time lately because out of the entire year, I decided to participate in TWO studio tours and my first ever art fair…all in October and November. Call me crazy, I know…but my kids think it’s the greatest thing ever.

FESTIFALL – OCT 7th 12-6

First time ever…I submitted an application to participate in an art fair in Chapel Hill. The first application I submit, of course I get in and then think “oh…I guess I need a tent…and panels…and…”.  I quickly submersed myself into the world of art fairs. This is a whole new world of do’s and don’t's and how to prevail against The-Wizard-of-Oz-type winds and still sell art. Wish me luck. It’s this Sunday, October 7th from 12-6. Just walk toward the increasingly loud music coming from the stage, put some ear plugs in and come say “hi”. No need to yell…I might not be able to hear that anyway.  I will be at booth B67.

ALAMANCE STUDIO TOUR – OCT 13 (10-6) & OCT 14 (12-6) – TOUR #13

I participated in the Alamance Studio Tour last year and had a great time, even though I will be the first to admit that I wasn’t prepared. Since this is in a county a few miles from me, I have to bring my art to a fellow artist’s house. It’s not really my studio, but it’s fun and the people love to come to one place and see multiple artists there. Hopefully I will be sold out from Festifall and can bask in the glory of empty walls. Hahaha…I can work quickly when I need to, so maybe it will be ALL NEW STUFF instead! (A girl can dream, right?)

ORANGE COUNTY STUDIO TOUR – NOV 3 (10-6), NOV 4 (12-6), NOV 10 (10-6) & NOV 11 (12-6) – TOUR #1

Another first. I was juried into the guild early this year and so of course I have to participate in the tour. Chapel Hill and Carrboro and Hillsborough ooze art. So what if I’m in Mebane? People will come to see me, right? (Please, please, please come see me!). You will be able to see my husband’s handiwork with my studio and pergola…none of it was my idea, so stop thinking I’m one of those nagging wives.  Of course once the work began…

This is what my kids are so excited about. People coming to our house is somehow exciting to them yet terrifying to me. OK, not terrifying as much as it is planning to still iron out…like parking and cleaning and what if someone needs to use the restroom? They’ll have to go in our house! OMG!

Wish me luck, come by and say hi!

October 7, 2012 (12-6): Festifall (I will be at Booth B67)

October 13-14, 2012: Alamance Studio Tour (Look for lucky #13)

November 3-4, 10-11: Orange County Studio Tour (I will be at studio #1)


You Found Me!

I’ve been working in the background here to see if WordPress is really as great as I keep hearing (and seeing!).

My regular website is a free one from sitekreator, and while I like it OK, I want to find something more streamlined, easy to update and to have my website name instead of ‘whatever.janaelehto.com’ (and this one will eventually get me there)…

Soon, it will all get rolled over to this website, but you just found me here as I’m working through the glitches. I’ve added the links to the side in case you want to go to my old website and blog. Oh, and I’m on facebook, too, so like my page if you’re interested in updates!

So far, I’ve been able to import all my old posts from blogger over here, so it’s coming along.


Introduction to a Multiple Pet Portrait

My Take on a Portrait with More Than One Subject

In my previous post, I talked about portraits and how I LOVE them.

From Wikipedia: A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expression is predominant.

Couldn’t this apply to any subject? I’m going to say “Of course!”

The purpose changes a little when doing portraits with multiple animals or people. The face and expression  of ONE is no longer predominant when adding more than one subject. But, that’s not to say it won’t be successful. Given the right references, it can be an awesome painting!  

Let’s say you’ve decided to commission an artist to do a portrait with two or more pets in it instead of multiple individual portraits.  First realize it won’t have the same impact as it would with one pet.

Wooly Malamute | pastel | 16×20

Having more than one dog/pet in a painting gives the feeling of a pack, the camaraderie/social aspect of them together. A dog and cat (or two separate species) could play off how well they get along, or how NOT well they get along (so many images flashing in my head of FUN portraits!)

The detail will be there, but may not have the same impact as having one pet to concentrate on. The concentration will be of the togetherness, not their individuality. Both are great options and both can be beautiful.

Combining Reference Photographs…Consistency is Key!

There are other considerations to a multiple pet portrait if you don’t have photos with them together. In addition to the recommendations for an individual portrait, keep these in mind:

  • Lighting
    • Should be consistent if there are highlights and shadows (and there should be for a good portrait)
    • Type of lighting (all indoor light or all outdoor)
    • Best to take all photos on the same day and in the same location for the best outcome for consistency 

Yorkshire Terrier “Chloe” in natural light

Yorkshire Terrier “Chloe” in indoor light

  • Direction 
    • From the photos you have, are they facing the same way?
    • If not, would it look natural for pets to be looking at different spots in a painting? 
      • Answer: Probably not. Chances are, your pet was looking at you, a bird, or a treat. I doubt that if you had all your pets in the same spot, they would choose different subjects. Think of holiday pictures you’ve taken or have been in with a group of people. Do you consider it a success if you have people looking in all directions, or when they’re looking in the same direction?

Boxer”Lily”
Mixed Breed “Hercules”

  • Angle
    • Your relation to the pet when you’re taking the picture. Are you above them? At eye level? It doesn’t really matter, although I’ve found that at eye level is best, but you want to make it consistent. If you’re at eye level with one pet, make sure you’re not at a completely different angle with the other pet.
German Shepherd “Nicholl”
Alaskan Malamute “Dash”

  • Proximity
    • Optional, but it will make the artist’s job a little easier there. If you zoom in on one pet, and don’t on the other, you may not have a realistic size relation in your portrait. If an artist isn’t familiar with a particular breed, they won’t know how one pet compares to the other if they don’t have photos of them together to judge. 

It all comes down to one word – CONSISTENCY.

In the End, It’s Your Call

It really is an individual decision. What feeling do you want to convey? If you want to be able to look at EACH of your pets as individuals, I would encourage separate portraits (like the example above). If you want to go with the “pack”, then I would recommend the group portrait. Just keep in mind there is more work on both parties to ensure consistency.

Portraits are commissions, after all. Artists who take on commissions, want to please the customer. So if you only have a limited amount of photos and the pet is no longer around (RIP), that’s OK. We work around what’s available and if we can get it, GREAT, but if not, at least we know what we have to work with.

However, the better the photo, the better the outcome…

I’ll leave you with one of the sketches I’ve done for a pet portrait I’m working on right now…(one of the earlier FAILED compositions. Can you name the issue I have here?).

Sketch of pet portrait (Alaskan Malamute, Samoyed, Siberian Husky)


What is the Definition of a Portrait?

Flower Portraits? Why Yes, I Do That Too…

If you’re familiar with my work, you would know that I like to paint and draw animals, people, flowers…so as I was writing this post about portraits and what I like to focus on, I realized that what I’m really painting is portraits. Portraits of people, animals and flowers.

In my bio/statement/about me sections that all artists should have, I say the same things…that I’m drawn (hahaha) to the details of a subject. It makes sense when I put my portraits together…

Portrait of Alex | charcoal | 16×20

Bovine Curiosity | charcoal | 18×24

Himalayan | pastel | 16×20

Even when you look at the flowers I have done, you see the same thing…close enough to see some detail, but not too close that it becomes abstract.

 

Violet | colored pencil | 8×10

Antique Rose | colored pencil | 8×10
Carnation | colored pencil | 8×10

Reference Photos

Here are some of my photographs that will someday be “portraits”…not all of them are great photos, some are blurry, but I’m not a photographer. I just play one for reference photos.

Dairy Cow in Chapel Hill NC

You would never know it, but this is a Belted Galloway at Fearringon Village, near Chapel Hill NC

Some cats have it made…this one hangs out at the Westin, St John, USVI

Baby monkey at the NC Zoo in Ashboro NC

Our cat, “Chopper”

The walkway the zoo has now is amazing! You can feed the giraffes and be eye to eye with them!
Flower (petunia or pansy? I always get them mixed up)

OK, I’m pretty sure this is an orchid. I’ve been known to take photos at random places.

So, there it is. I have a problem. As much as I LOVE landscapes and trees and all that purdy stuff, I think I just get on autopilot when I see something I like.


Regrets? Yes and No

Whenever anyone I work with learn I have an art degree, I get the eyebrow raise. My job is in clinical research and really has no place for art. Do I have regrets? Maybe, but not for the reasons you may think.

I will always be thankful for getting an art degree. Even though the “art” doesn’t help me with my current profession, I’m thankful for two reasons:

I Learned How to See

An EARLY sketch of boxes, plates, cups

As much as I hated drawing box after box, or the constant measuring – once I got it – not “oh, this is how I do it”, but “oh, this is WHY I am doing it”, it made perfect sense! It’s something I wish I did in high school or even earlier than that. As simple as drawing boxes made me see the angles and measuring made me see something as simple as eye placement on a face. I was able to see objects as they truly are and not see them as I think they are. I was and continue to be thankful.

A later sketch of fabric draped on a cylinder

I Learned How to Think

Yes…to think about society as it relates to history, as it relates to the world, throughout history. I was a sponge when it came to learning about cultures and historical facts. I fell in love with ancient history – Greek, Roman, Ancient Sumerian, Japanese, Chinese, etc… not ancient, but still fascinating was the Moghul Empire.

I also took classes on the history of religion, where I learned aboutAncient Sumerian culture and then later took several classes on Christianity through the ages. It was an eye opening experience to say the least.

One of my favorite classes (looking back of course), was a course on Abstract Expressionists. This was the perfect combination of my interests. It wasn’t just about art, but also about the historical, political, and cultural events that surrounded the movement. It was a great class that I remember 15 years later. And I still have the books.

Helen Frankenthaler: Mountains and Sea (1952)

The classes I took weren’t really taking me anywhere successful career-wise. I wasn’t taking law classes, or statistical classes or even design classes for a lucrative profession. I wasn’t interested in those careers. I wasn’t interested in a career at all. Maybe I needed a little more guidance in that since there was a moment after graduating where I thought, “Oh. What now?”

(source)

Looking Back…

I would do the same thing, take the same classes, but would add to them. Take more liberal arts classes (yes, more!)…but it would have helped to have taken more practical classes on being an artist, like framing, printing business cards, brochures, etc. and a stress of KNOWING YOURSELF ENOUGH TO EXPRESS YOURSELF – being more comfortable in the world AFTER the degree may have steered me to this earlier on. But maybe…I just needed to learn this in my own time as a “student of life”. ;)